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He comes to her and looks over her shoulder at the paper she holds. In an ugly unformed hand the following figures and words are written upon it,— "An' a nate color too," says this woman, who is bare-footed, beneath her breath, regarding with admiration the yellow tint of the object on which she is engaged. Two pullets, feathered like a partridge, are creeping stealthily into the dairy, their heads turned knowingly on one side, their steps slow and cautious; not even the faintest chirrup escapes them, lest it be the cause of their instant dismissal. There is no sound anywhere but the soft music that falls from Mona's lips. "No, I am not. Anything but that; and to be rude"—slowly—"answers no purpose. But I have some common sense, I hope.".
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"Mona," says Rodney, divining her intent, "stay you here while I go and expostulate with these men. It is late, darling, and their blood is up, and they may not listen to you. Let me speak to them." "You are not well, are you, Mrs. Geoffrey?" he says, sympathetically, getting up from his own chair to lean tenderly over the back of hers. Nolly is nothing if not affectionate, where women are concerned. It gives him no thought or trouble to be attentive to them, as in his soul he loves them all,—in the abstract,—from the dairymaid to the duchess, always provided they are pretty. "Yes, of course," she says, dejectedly. A cloud seems to have fallen upon her happy hour. "When did you hear that—that last singer?" she asks, in a subdued voice. She winds her arms, around him, seeing he is still determined to go, and, throwing back her head, looks into his face..
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